PantheaCon 2010 Day 4 Monday
The last day of PantheaCon always has an element of sadness. People are packing and going back home. Virtually everyone is requesting a late checkout and it takes hours to get one of the trolleys to move your things back to your car. Attending workshops becomes a challenge, but I managed to get to two.
The first was “Oracles and Divination in Ancient Egypt” by Richard Reidy, who is the author of Eternal Egypt: Ancient Rituals for the Modern World. Richard’s approach to the practice of ancient Egyptian religion is a bit different to that of Tamara L Siuda (whose workshop I attended on Saturday morning). Richard’s approach is that he limits himself solely to source texts. As I have previously discussed, this seems to me to be largely a matter of taste. While I think it is important to have a well researched core to your own practice, whether or not you choose to “improvise” is a personal choice. Richard is someone who is obviously devoted to his practice, and I felt quite inspired listening to the relationships he had forged with his primary deities over a lengthy period of time. I also enjoyed listening to his thoughts about some of the Demotic magickal texts dating back to late antiquity which we both use – there simply aren’t many people using this stuff, so it’s definitely not something you hear everyday.
The last workshop that Jo-Ann and I attended was the very last one put on by Patrick McCollum called “Creating the Sacred Oil: The Origins of Magical Oils in Ritual.” Patrick was actually involved in eight workshops all up, and he had a very large group for this one. One of Patrick’s missions in life is to prevent craft secrets from being lost – much has actually been lost in just the last couple of generations as pagan elders die off. To this end, he taught us how to manufacture the original Sacred Oil used by witches in ancient times. The workshop didn’t end there, as Patrick told us how to modify the Sacred Oil recipe to turn it into Flying Ointment, but requested that we not upload it to the internet. The composition of Flying Ointment is normally a closely guarded secret, so to be honest, I was quite surprised when he revealed it to the group. But, at least this way, the composition will not be lost any time soon.
After some sad goodbyes to our friends who were still there, including the ever gorgeous Orion Foxwood, it was time for Jo-Ann and myself to drive back home.
Tony Mierzwicki
